It Fell from Earth, solo exhibition review, AN Newsletter, June 2016

Correspond, group exhibition catalogue, writing by Derek Horton, published by the Artworks, Halifax, UK.


Orbits and Occults, group exhibition catalogue, curatorial text by Amelia Ash, published by Gerald Moore Gallery, London UK.


Skin, the Seduction of Surface, group exhibition catalogue,  curatorial text by Sarah Filmore, published by the Art Gallery of Nova Scotia, Canada.

Contrivances, written by David Balzer, a book of eleven short stories with an artists’ artwork contributed for each story. (Alexandra Flood’s “Red Tide” 2009, for the short story Willendon’s), published by Joyland.


Tableaux, Solo exhibition review, Canadian Art Magazine, by Mandy Ginson.

Tableaux, solo bilingual catalogue with forward by Jane Fullerton and critical essay by Peter Larocque. Published by the New Brunswick Museum


Mare Street Biennale, group catalogue, text by Mandy Ginson, published by Artistpace, London, UK.

Carte Blanche Volume II – Painting, a curatorial survey of the state of contemporary painting in Canada. 328 page hard cover book with forward essay by Jane Urquhart and critical essay by Clint Roenisch, published by the Magenta Foundation, Toronto, Canada

A group of more than seven The Carte Blanche series spotlights the diversity of Canadian painting, by Mark Medley, National Post  Published: Friday, December 05.


Transit-Atlantic Crossings, group catalogue with colour reproductions and curatorial essays by Colin Ardley and Ingrid Mueller.

Published with English, French and German text, by ArtContact and Die Deutsch GalerieWerkstatten Hellerau, Dresden Germany.


Vision catalogue, curatorial essay “Distinctive Visions” by Dr. Lianne McTavish, published by the Marion McCain Art Foundation and the Beaverbrook Art Gallery.


Minx, Struts Gallery solo exhibition review by Ian Lumsden, Arts Atlantic Magazine, Fall 2003 issue, page 52

On Hair and Paint, essay by Donna Wawzonek, “Minx” solo exhibition publication by Struts Gallery, Sackville NB, funded by the Canada Council for the Arts


SUGAR catalogue, essay by John Murchie, published by Saint Mary’s University Art Gallery, Halifax, funded by the Canada Council for the Arts